|
Best Actor in a Musical |
Joe Theissen | Fly By Night |
| Best Actor in a Play | Adrian Roberts | pen/man/ship |
| Best Actress in a Musical | Mia Pinero | West Side Story |
| Best Actress in a Play | Jane Bement Geesman | The Udmurts |
| Best Choreography | Dan Murphy | Beehive |
| Best Costume Design tie | Jessica Carr | 1776 |
| Best Costume Design tie | Margaret Chapman | The Toxic Avenger Musical |
| Best Devised Work | Head. Hands. Feet. | Shaking The Tree |
| Best Director of a Musical | Sharon Maroney | Beehive |
| Best Director of a Play | Kevin Jones | How I Learned What I Learned |
| Best Ensemble in a Musical | Godspell | Lakewood Theatre Company |
| Best Ensemble in a Play | Note to Self | Adrienne Flagg + CoHo Productions |
| Best Lighting Design | Carl Faber | Beehive |
| Best Music Direction | Jonathan Quesenberry | Fly By Night |
| Best Original Script | Carol Triffle, Jerry Mouawad, & Devin Stinson | La Belle |
| Best Pit Ensemble | Forever Dusty | triangle productions! |
| Best Production of a Musical | Fly By Night | Broadway Rose Theatre Company |
| Best Production of a Play | Brontë | Bag & Baggage Productions |
| Best Scenic Design | Samantha Van Der Merwe | We’re All Mad Here |
| Best Solo Performance | Victor Mack | How I Learned What I Learned |
| Best Sound Design | Annalise Albright Woods | Head. Hands. Feet. |
| Best Supporting Actor in a Musical | Dale Johannes | Green Day’s American Idiot |
| Best Supporting Actor in a Play tie | Gary Strong | The Pillowman |
| Best Supporting Actor in a Play tie | Rega Lupo | Lydia |
| Best Supporting Actress in a Musical | Clara-Liis Hillier | Godspell |
| Best Supporting Actress in a Play | Dana Green | db |
| Outstanding Video Design | Ian Anderson-Priddy | Green Day’s American Idiot |
| Best Young Performer | Maya Caulfield | Orphans |
| Oustanding Puppet Design | John Ellingson | The Tail of Sleeping Beauty … with Puppets! |
| Outstanding Automaton Design & Fabrication | Carol Triffle, Jerry Mouawad, Lance Woolen, Erin Nicole Chmela, & Roger Nelson | La Belle |
| Outstanding Achievement in Wig Mastery | Collin Carver | 1776 |
| Lifetime Achievement Award | Tim Stapleton | |
| Special Achievement Award | Imago Theatre | |
| * Best Kiss | Joe Theissen & Gavin Hoffman | 39th Drammy Awards |
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To each and every: It’s not just the virtual bouquets I’d toss. I’d shine a small Flood on what live theater means to our lives. And to the kaleidoscopic range — from vaudeville to Shakespeare, from the musical song book to original plays, themed and ambiguous, to the pauses buzzing with tension. In writing this I don’t want to co-opt the space, but to voice what every community world-over where theater in any voice may still be presented, Here’s to the hush that precedes, to the grave silence or torrent of applause that follows, to the exhilating aisle before we exit to the real world. The little play may be done, but the resonance remains.
Salud.
Nice to see Mia is doing so well!